Nadine Abou Zaki’s work comes out of a background of a metaphysical quest based essentially on the idea of a spiritual ascension. She sculpts stone and carves wood with constructivist and architectural shapes, reflecting the expression of the sculptural act itself and its duality.

Born in Rachana, the youngest of three brothers, Joseph Basbous instinctively followed the call of the mallet and chisel, honing his skills since childhood in a family where stone carving came naturally. With remarkable capacity and sensitivity, he initially worked as a stone mason and later assisted his brothers in executing their own artistic endeavors. Joseph Basbous followed the non-figurative path pioneered by Michel Basbous in Lebanon, working with simplicity and guided by his instincts.

The majority of Mohammad Al Haffar’s artworks were made from wood. His preferred themes encompassed women in various states, sports activities, animals, music, and dance. With the exception of a couple of abstract compositions, all of his works were freely figurative.

Having lived through the tumultuous period of the Lebanese war, Charles Khoury experienced profound anger that he managed to channel through his artistic expression. He perceives the world as a corrupt and modern jungle, and through his art, he has created a personal realm where he can escape from this harsh reality.

The Lebanese mountain village, especially his own, its nature and its intimate way of life are a recurring theme in Jamil Molaeb’s work. Like many other artists of his generation, the war has influenced him and his art as well: he grasps the aspect of his paintings from the elements of life.

Syrian artist Hussein Nassouri used his passion, primitive creativity, and improvisation to transform a Volkswagen Beetle into his masterpiece, "The Carrier of Wood." This artwork reflects his deep obsession with wood and was created over a span of six years, incorporating forty wood sculptures and numerous paintings.

From 2001 to 2012, Nabil Richani participated in various solo and group exhibitions showcasing his sculptures and paintings. Some notable exhibitions include The Choueifat Old Souk, Eco Art, Aley Sculpture Symposium, Deir El Qamar Open House, Rassif El Fann in Choueifat, Muntada Insan's exhibition 'Fann w Lawn', and ISC Art for a Good Cause in 2018 and 2019. He also had the opportunity to participate twice in the 'Arab Cultural Society'.

Mouazzez Rawda was a dedicated artist, known for her determination and as one of the first female drivers in Beirut. She began studying art at the age of fifty. Rawda actively participated in five Salon d'Automne exhibitions at the Sursock Museum from 1964 to 1968, receiving two prizes. Her sculpture "Hayalissa" was created in stone in Saida after winning the Ministry of Tourism prize for public monuments.

Mohammad Sakr's paintings primarily focus on abstract compositions, often exploring various shades of blue reminiscent of the sea, which held a special place in his heart due to his extensive time spent there. His underwater experiences while diving for seashells also influenced his artistic expression. The color of the sea became a profound source of inspiration and calling for him.

Marwan Saleh’s sculptures serve as a reflection of his personal vision of humanity and the world, conveying his own anxieties and uncertainties. Through his art, Saleh engaged in a process of introspection and internal contemplation.

Fadl Ziade’s artworks often take on a two-dimensional form, displaying a strong sense of structural balance. The composition is skillfully divided by vertical and horizontal lines, creating distinct planes that are frequently filled with different basic colors. Occasionally, Ziade incorporates depictions of land and sky within his artwork.

Despite the challenges posed by the civil war, Brahim Zod opened the art gallery Damo in Antelias, becoming one of the few individuals who continued their artistic endeavors during that period. Zod's sculptures encompass a diverse range of styles, reflecting the extensive time he spent developing his craft before presenting his works to the public.