Beba Eid Hamati is a conceptual artist who splits her time between Beirut and Dubai. She is actively involved in teaching Pottery at the Dubai International Art Centre (DIAC), where she also serves as the chairperson. In recognition of her artistic achievements, she was awarded the Sheikh Zayed Fine Arts Award in Beirut in 1978 and 1979.

Ghassan Ghazal was particularly focused on transcending the representation of symbols of violence and coercion, and his multidisciplinary practice encompassed diverse research projects that merged image, space, and perception.

Hussein Hussein portrays in his video installation a procession of frail-looking individuals. Below this spiritually evocative triptych, a video is displayed, showcasing bare feet relentlessly marching across various terrains and through water, as the individuals have abandoned their shoes in search of a savior.

Dima Hajjar possesses the qualities of an exceptional painter, showcasing her ability to craft a unique world with a distinct graphic style and personal palette. Her artwork delves into her own life experiences and everyday observations, intertwining urban and personal memories. In doing so, she blurs the boundaries between reality and illusion, truth and fiction, and recorded and imagined histories.

In her multidisciplinary work, Maral Maniss delves deep into exploring the connections between life, memory, and nostalgia, translating them into captivating visual representations. Through upcycled art, vibrant colors, and expressive lines, she seeks to reclaim what has been erased and preserve what can endure.

In addition to exhibiting her paintings, Nada Sehnaoui has created numerous large-scale public installations and site-specific installations in Lebanon and around the world. Her installations in the public space in Lebanon, such as Fractions of Memory (2003), Waynoun (where are they?) (2006), and Haven't Fifteen Years of Hiding in the Toilets Been Enough? (2008), have received recognition and acclaim.