Youssef Howayik — MACAM Lebanon

1883, Helta – 1962, Beirut

Youssef Howayek, born in Helta in the Batroun District, began his artistic journey by studying drawing and sculpture in Rome. He then continued his pursuit in Paris, where he had the privilege of training under the renowned sculptor Henri Bourdelle. During his time in Paris, he reunited with his childhood friend Gibran Khalil Gibran, and their shared passion for painting and sculpture further strengthened their bond. Together, they studied art under the guidance of Auguste Rodin for a period of two years.

In 1930, Howayek gained recognition as the creator of the first sculpture in Martyrs' Square, Beirut: Les Pleureuses – The Weepers. This achievement propelled his career, leading to commissions from state and religious authorities. He returned to Beirut in 1939, dedicated to teaching and sculpture, establishing his studio in the villa of poet Charles Corm, son of Daoud Corm. While Daoud Corm was esteemed in Lebanese painting, Howayek became an undeniable pioneer of Lebanese sculpture. He imparted his knowledge to a new generation and showcased his sculptures internationally, including exhibitions in Paris and the Lebanese Pavilion at the 1939 World Fair in New York. He received the Lebanese National Order of the Cedar for his contributions and is revered as the father of sculptors in Lebanon.

The dismantling of his sculpture Les Pleureuses in 1953 at Martyrs' Square, due to opposition and vandalism, left Howayek disheartened. He found solace in Aouna, Batroun District, where he continued sculpting and painting. Before his passing in 1962 in Beirut, he created sculptures representing notable Lebanese and Arab figures, as well as mythological subjects.

About his Work

Throughout his career, Howayek adhered to an academic yet sensitive approach, emphasizing a realistic portrayal of human form and beauty. His sculptures skillfully captured precise moments with a harmonious balance, exuding a commanding presence. He expertly incorporated the renowned craftsmanship of the Batroun region, celebrated for its expertise in stone treatment. Howayek's art showcased intelligence and expertise, evident in his precise gestures, meticulously calibrated movements, and thoughtfully crafted expressions. His sculptures possess a sense of self-containment, with forms enclosed and self-sufficient, reflecting the coolness and precision of academic accuracy.

Alternative spellings: Youssef Hoyek, Youssef Saadallah Howayek, Yusuf Huwayyik

Youssef Howayek

Ghassan Ghazal

Hussein Hussein