Neville Assad-Salha experiments with installation performance pieces, creating large-scale clay forms within the landscape and firing them on-site. His works range in scale, from small bowls that can be held in the palm of one's hand to expansive structures that can be entered and experienced as dwellings.

May Abboud explores the use of textures on sculptures that bridge the gap between traditional vessels and dresses. These female forms serve as a means to explore the diverse range of textures that can be imprinted on clay. She thoroughly enjoys working with clay and finds it to be an expressive medium.