Nadine Zahreddine

Beirut

Nadine Zahreddine holds a master's degree and a Ph.D. in Fine Arts from the Lebanese University. She is currently the head of media at the Syndicate of Lebanese Fine Artists and works as a Fine Arts instructor and graphic designer. Her passion for research and teaching has led her to be involved with institutions such as the French Institute of Lebanon, the American University of Beirut, and the Lebanese University. She has also published numerous articles in the field of art. Zahreddine has participated in both local and international exhibitions and workshops, showcasing her work in Beirut, Kuwait, Milan, and Rome.

Her talent and contributions have been recognized with nominations for Best Artist at an exhibition in Florence in 2018, as well as a nomination for the Global Art Award in Dubai. In 2019, Zahreddine achieved further recognition by winning the 3rd jury prize in the National Science Popularization Contest for her presentation titled "My Thesis in 180 Seconds."

About her Work

Traffic of Personal Data addresses the pervasive influence of technology and media on Lebanese society, particularly in relation to the loss of privacy and confidentiality. Nadine Zahreddine highlights how personal data has become readily accessible, as anyone can obtain personal information by simply having someone's license plate number. The installation also raises concerns about the increasing number of video surveillance cameras and facial recognition technology, and the ethical dilemmas surrounding the use of data captured by these systems. Zahreddine's work serves as a powerful reminder of the need to protect privacy rights and human values in the face of invasive technologies. It questions who has the right to access personal data without permission and emphasizes the importance of preserving privacy and peace of mind. The installation calls for a reevaluation of the relationship between technology and humanity, stressing that technology should work for the benefit of individuals rather than against them.

Nadine Zahreddine

 Traffic of Personal Data, 2019

Metal and Mixed media

MACAM collection, donation from the artist